Oberlin: Hidden Thorns
[TLM016]
|
A series of solitary journeys through slowly evolving
worlds of drones in modular vehicles. ...................................... Ultra-limited edition of 50 CDs in hand-made & numbered paper gatefolds +/or Digital Album (FLAC recommended). 7 tracks, 39'33". Artwork design by moody alien. Photography by Alexander Holtz. Packaging design by Pat Kiout Productions. ........................................ Improvised, recorded & mixed by Alexander Holtz: Eurorack Modular Synth (HO, E 350, XR-VCO & the Qu-bit Nebulae as sound sources, the MI Clouds for modulation), Arturia Micro-Brute, electric & acoustic guitar. *track #5 contains a field recording by freesound.org/people/klankbeeld Mastering by moody alien. .................................................. Released April 13, 2018. ℗ & © Thirsty Leaves Music |
REVIEWS.
"[...] These seven new electronic pieces are entirely improvised, recorded and mixed by Alexander Holtz. While elements of his work may harken back to the days of overwrought organ solos, he pairs these dramatic flourishes with thick, warm drones.
A dreamy, lazy effort called “Emma Lee” is among the album’s highlights. Its focal point is a recording of children’s voices, set against more drones, ambient noise and what sounds like a processed guitar. Each contrasts with the other just enough to give the piece character.
“Two Planets” follows; another strong work. Holtz doesn’t make liberal use of distortion, but it’s applied effectively here. He’s one of those improvisers who finds ways to produce work that sounds carefully composed.
These seven pieces are spontaneous, in the sense that they don’t follow any conventional structure. At the same time though, Holtz’s work never feels accidental. [...] "
Kevin Press for Badd Press
. . .
"[...] These seven new electronic pieces are entirely improvised, recorded and mixed by Alexander Holtz. While elements of his work may harken back to the days of overwrought organ solos, he pairs these dramatic flourishes with thick, warm drones.
A dreamy, lazy effort called “Emma Lee” is among the album’s highlights. Its focal point is a recording of children’s voices, set against more drones, ambient noise and what sounds like a processed guitar. Each contrasts with the other just enough to give the piece character.
“Two Planets” follows; another strong work. Holtz doesn’t make liberal use of distortion, but it’s applied effectively here. He’s one of those improvisers who finds ways to produce work that sounds carefully composed.
These seven pieces are spontaneous, in the sense that they don’t follow any conventional structure. At the same time though, Holtz’s work never feels accidental. [...] "
Kevin Press for Badd Press
. . .